Wonder Woman 1984 audio commentary

 Sam and Rebecca talk through the whole movie -- Wonder Woman 1984, directed by Patty Jenkins.

https://www.podomatic.com/podcasts/jluniverse/episodes/2024-03-02T07_01_32-08_00

JLU Scene-by-Scene: Man of Steel Scene 15

This episode of the Justice League Universe podcast focuses on Scene 15 ("maybe") of Man of Steel, directed by Zack Snyder.

• The Kent's Midwest Farm
• Choice and Acts of God
• Wanting to help but learning about complexities
• Connections to Superman issue #1
• "Maybe" and its controversies
• Zack Snyder and the power of unconditional love

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Support the show at https://www.patreon.com/JLUPodcast

 

<Transcript below>

JLU Scene-by-Scene: Zack Snyder's Justice League Prologue Ep 1

This episode of the Justice League Universe podcast focuses on the opening sequence (death of Superman) in the prologue of Zack Snyder's Justice League.

• Company Logos
• Lightning and connections to BvS
• Character's emotional reactions
• Super vocals
• The start of Victor Stone's character arc
• Lex's communion and continuity questions
• The death scream in Atlantis with Mera
• The death scream in Themyscira with Philippus
• Tom Holkenborg's music

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Support the show at https://www.patreon.com/JLUpodcast

GoFundMe #RestoreTheSnyderVerse https://www.gofundme.com/f/restorethesnyderverse-mobile-billboard-afsp

https://dc.fandom.com/wiki/Sound_Manipulation

https://www.hollywoodreporter.com/amp/features/ray-fisher-opens-up-about-justice-league-joss-whedon-and-warners-i-dont-believe-some-of-these-people-are-fit-for-leadership

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Themes and Character Arcs in Zack Snyder's Justice League

In this episode of the Justice League Universe podcast we discuss our initial interpretations of the themes and character arcs in Zack Snyder's Justice League on HBO Max.

• Themes - stronger together, free will, second chances, and more (0:01:32)
• Introduction to character analysis (0:28:30)
• Bruce Wayne / Batman (0:29:13)
• Diana Prince / Wonder Woman (0:33:00)
• Victor Stone / Cyborg (0:38:16)
• Steppenwolf and Darkseid (0:46:29)
• Arthur Curry / Aquaman (0:50:38)
• Barry Allen / The Flash (0:54:52)
• Clark Kent / Superman (0:58:21)
• Lois Lane and Martha Kent (1:08:02)
• Comments on the Dawn of Justice Trilogy (1:11:30)
• Ending Remarks (1:18:40)

Written by Sam Otten, Alessandro Maniscalco, and Rebecca Johnson

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Support the show at https://www.patreon.com/jlupodcast

https://play.hbomax.com/

Ray Fisher second chances - https://twitter.com/ray8fisher/status/1373741233571500034?s=20

Interview with Zack Snyder - https://geekvibesnation.com/interview-zack-deborah-snyder-talk-about-zack-snyders-justice-league-finally-coming-together/

MarVeVi on Black representation - https://twitter.com/marvevi_/status/1372941329555197953?s=20

Joe Morton - https://www.hollywoodreporter.com/heat-vision/why-justice-league-star-joe-morton-thinks-fans-should-have-more-of-a-say 

JLU Podcast on the Superman/Snyder parallels - https://twitter.com/JLUPodcast/status/1372988361816739840?s=20 

<Transcript Below>

JLU Scene-by-Scene: Man of Steel Scenes 13-14

 In this episode of the Justice League Universe podcast we focus on Scenes 13 and 14 (Clark coming out of the water and the school bus flashback) of Man of Steel, directed by Zack Snyder.

• "Seasons" by Chris Cornell
• Clark stealing the clothes
• Flashback to the school bus
• Lana and Pete
• Young Clark saving the bus and the bully
• Listener Angelo Mugisa - Christian Connections

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Bonus content at https://www.patreon.com/JLUpodcast 

Sam's children's book MISSING LETTERS: https://www.MissingLettersBook.com 

<Transcript below>

JLU Scene-by-Scene: Man of Steel Scene 12

 This episode of the Justice League Universe podcast focuses on Scene 12 (flashback to school) of Man of Steel, directed by Zack Snyder.

• Clark adrift
• Clark's powers begin to manifest
• "Swim toward it" [the island]
•  What's wrong with Clark?

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Bonus content at https://www.patreon.com/JLUpodcast

Sam's children's book http://www.MissingLettersBook.com

<Transcript below>

Snyder Cut Round Tables - Episode 9 - RTSnyderCut

Back in June, right after the glorious announcement that Zack Snyder's Justice League would be coming to HBO Max, Sam and Alessandro co-hosted a roundtable for the @RTSnyderCut YouTube channel. They were joined by Omesh and Hamad to discuss the aspects of Batman v Superman that they think will be continued into the director's version of Justice League.

Sam: https://jluniverse.podomatic.com https://twitter.com/ottensam
Alessandro: https://twitter.com/raveryn
Omesh: https://twitter.com/PrimeEarthMook
Hamad: https://vero.co/hamadalmansouri

Discussion of DC FanDome Trailer for JUSTICE LEAGUE: The Snyder Cut

In this episode of the Justice League Universe podcast, Sam and Alessandro discuss the amazing trailer that Zack Snyder premiered at DC FanDome.

They share their general reactions, the new connections to Batman v Superman, the upgrade in villains, the emotional elements of the film, and various other tidbits (including parallels to the Leonard Cohen lyrics).

See also Rebecca Johnson's analysis of the trailer: https://www.youtube.com/watch?v=QHOB8eUMwN4

Discussion of additional DC Films at https://www.patreon.com/JLUpodcast

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JLU Scene-by-Scene: Man of Steel Scene 9

This episode of the Justice League Universe podcast focuses on Scene 9 (Lara's goodbye) of Man of Steel, directed by Zack Snyder.

• Symbol of hope
• Krypton's destruction and columns of fire
• Lara's poise and call for a better world
• Music and destruction juxtaposition
• Armor

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Support the show and get bonus content at www.patreon.com/JLUPodcast

<Transcript below>

JLU Scene-by-Scene: Man of Steel Scene 8

This episode of the Justice League Universe podcast focuses on Scene 8 (the trial of General Zod) of Man of Steel, directed by Zack Snyder.

• Light and sunset
• Homage to Superman: The Movie and Superman II
• Zod's outburst and personal vendetta against the Els
• Black Zero and the Phantom Zone

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Support the show and get bonus content at https://www.patreon.com/JLUPodcast. 

<Transcript below>

Birds of Prey Commentary

Sam and Rebecca provide audio commentary Birds of Prey, directed by Cathy Yan.


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https://www.patreon.com/JLUPodcast

Zack Snyder's Haters are the Villains of his DC Movies

Zack Snyder was the director of the first film in the Warner Brothers DC film universe, 2013's Man of Steel, and he followed that up with Batman v Superman: Dawn of Justice (2016) and the tumultuous production of Justice League (2017). One thing that has been very clear about all three films is that they have been incredibly divisive. There have been endless arguments over the Superman suit and Zod's snapped neck and so much more. There were massive splits between the critical reception and a passionate fanbase. It all culminated in a multi-year struggle over the creative direction of the trilogy's final installment.

The real-world battles that have constantly surrounded Zack Snyder's DC films are almost as dramatic as a movie script. Which makes it fitting that the real-world controversies were actually all presaged and built in to the movies themselves, and in each case Snyder's haters and critics have unwittingly sided with the movie's villains.¹

Checking in with DC Films Leadership

Articles about the DCEU's imminent demise were always stupid. This cinematic universe was a follow-up to the Christopher Nolan Dark Knight trilogy, which posted two billion-dollar pictures, and the DCEU itself has garnered box office totals of at least $650 Million for each film. By way of comparison, other successful franchises have several films below that number (the X-verse has 8, the MCU 8, Transformers 2, Fast & Furious 5, ... even Star Wars has a film $225 Million lower than Justice League). The global average for the DCEU is $801 Million, so the success of the DCEU has been consistent from the start, even though the critical reception has been widely varied. Most recently, the DCEU achieved new financial heights as Aquaman has surpassed $1 Billion worldwide, and still counting.

Although the success of the DCEU thus far has never actually been in doubt, the creative direction of the universe has. Some of the films have had a clear, unimpeded creative vision, such as Man of Steel, Wonder Woman, and Aquaman. Batman v Superman presented a bold deconstruction of two iconic characters, and involved a complex and philosophically-based villain, but even in that case, Warner Brothers gave incredible latitude to the filmmakers, intervening only near the end to reduce the runtime in theaters. Other films—we're looking at you Suicide Squad and Justice League—had substantial studio interference as Warner Brothers lost their resolve following the mixed reception of Man of Steel and the negative reception of BvS.

For more than two years now, fans of the DCEU (and especially fans of BvS) have had legitimate questions and concerns about the creative future of the universe. Would WB operate out of fear or would they place trust in their talented filmmakers? Would they try to mimic other successful franchises or would they find their own style, taking inspiration from the diversity of characters in their DC stable?

This week, we gained some clarity on those questions. The Hollywood Reporter interviewed Toby Emmerich, chair of the WB Pictures Group, and he made these remarks about the DCEU:

We all feel like we've turned a corner now. We're playing by the DC playbook, which is very different than the Marvel playbook. We are far less focused on a shared universe. We take it one movie at a time. Each movie is its own equation and own creative entity. If you had to say one thing about us, it's that it always has to be about the directors.

The first sentence speaks to unity, which is a good sign after the tumultuous leadership around the time of Justice League. The second sentence indicates that they are confident in their own style and direction, rather than aping others. The remainder of the quote gives some insight into that DC style, which will be allowing more freedom for individual filmmakers rather than forcing them to adhere to an overall plan. I think this is a wise move as it will allow for sub-franchises to flourish within the overarching DCEU. We could have a Wonder Woman series developing alongside an Aquaman series, with lots of interesting things happening in Gotham City at the same time—all within the same universe, and team-ups would still be possible, but they wouldn't be dictated. This also allows for one-off films like Spielberg's Blackhawks and it also allows for multiple tones to exist at the same time without being in conflict—Shazam! and Birds of Prey do not need to feel the same, nor should they, given the characters involved.

The final sentence from Emmerich, about recommitting to being a "director-drive" studio, may ruffle some feathers in the DCEU fan community. Suicide Squad and Justice League are two sore spots because they are instances where WB trampled on their longstanding pledge to be director driven, and the resulting films suffered for it. But that was before Emmerich's promotion, and notice that he doesn't say WB has always been about the directors—he said that it "always has to be about the directors." So if we read between the lines, he may be saying that mistakes were made in the past when the directors were overridden by executives, and he is intending in the future to reestablish the trust in directors, as has already been done with Aquaman, Shazam!, and Wonder Woman 1984.

Personally, I think this brief description of the DCEU's future sounds very good.

Another bit of DCEU news also came out recently from the Hollywood Reporter Heat Vision newsletter. They mentioned that the Shazam! production budget is approximately $90 Million. Although this isn't a confirmed number (and my personal guess is that the budget will ultimately be in the $100-120 Million range), it does clearly show that WB is taking a more frugal approach with the David Sandberg-directed flick. This is most likely a result of Walter Hamada being promoted as the head of the DC Films division, and as I wrote before with regard to Birds of Prey, I think having some films with more modest budgets is an extremely wise move—and the reason I like the decision relates directly back to the director-driven issue discussed above. In short, if WB has less money on the table, they will be less nervous about the investment and less likely to step in and interfere with the filmmakers' vision and execution. For example, I love Zack Snyder's work, but he is not exactly the most frugal filmmaker. When you pair that extravagant operating style with a risk-taking type of creative vision, it is actual kind of amazing that Batman v Superman exists at all. I am, of course, extremely happy that BvS does exist, but thinking toward the future of the DCEU, I recognize that the films can't all be like BvS.

A mix of films driven by a diverse set of filmmakers, and with some operating on more modest production budgets, thus reducing the pressure for huge box office performances, seems like an incredibly good recipe for continued success.

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